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・ Temple of Augustus in Barcelona
・ Temple of Azure Clouds
・ Temple of Baalshamin
・ Temple of Bacchus
・ Temple of Beit el-Wali
・ Temple of Bel
・ Temple of Bellona
・ Temple of Bellona (Ostia)
・ Temple of Bellona (Rome)
・ Temple of Blood
・ Temple of Caesar
・ Temple of Castor and Pollux
・ Temple of Claudius
・ Temple of Claudius, Colchester
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Temple of Concord
・ Temple of Concordia, Agrigento
・ Temple of Confucius
・ Temple of Confucius (disambiguation)
・ Temple of Confucius, Changhua
・ Temple of Confucius, Qufu
・ Temple of Cybele (Palatine)
・ Temple of Dakka
・ Temple of Death
・ Temple of Debod
・ Temple of Deliverance Church of God in Christ
・ Temple of Dendur
・ Temple of Derr
・ Temple of Diana
・ Temple of Diana (Rome)


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Temple of Concord : ウィキペディア英語版
Temple of Concord

The Temple of Concord in the ancient city of Rome was a temple dedicated to the Roman goddess Concordia at the western end of the Roman Forum. The temple was vowed in 367 BC by Marcus Furius Camillus but was not actually built until 167 BC. It was destroyed and restored multiple times in its history, and its final restoration, between 7 and 10 AD under the future Roman Emperor Tiberius, is described in Pliny the Elder's ''Natural History''. In approximately AD 1450 the temple was razed and turned into a lime kiln to recover the marble for building.
==History==
Roman literature states that it was first vowed by Marcus Furius Camillus in 367 BC to commemorate the Leges Liciniae Sextiae of Lucius Sextius Lateranus and the resulting reconciliation between the patricians and plebeians after the Aventine Secession.
It was a frequent focus for fostering harmony in the Roman state, both through its first rebuilding in 121 BC (after the murder of Gaius Gracchus), and through its occasional use for meetings of the Senate, especially in times of civil disturbance (Cicero delivered his fourth Catilinarian oration here).
It was again restored between 7 and 10 AD by Tiberius as Augustus's heir, to better use the limited available area on the site. He probably rededicated it in AD 12. This restoration was distinguished by its opulent marble and rich architectural ornamentation, and Tiberius's housing of numerous Greek paintings, sculpture and other works of art there (listed in Pliny's ''Natural History''), making it something akin to an art museum.

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